You are not logged in.

Foucault's 'What is an author' : towards a critical discourse of practice as research

Barrett, Estelle 2007, Foucault's 'What is an author' : towards a critical discourse of practice as research. In Barrett, Estelle and Bolt, Barbara (ed), Practice as research : approaches to creative arts enquiry, I. B. Tauris, London, England, pp.135-146.

Attached Files
Name Description MIMEType Size Downloads

Title Foucault's 'What is an author' : towards a critical discourse of practice as research
Author(s) Barrett, EstelleORCID iD for Barrett, Estelle orcid.org/0000-0001-9112-249X
Title of book Practice as research : approaches to creative arts enquiry
Editor(s) Barrett, EstelleORCID iD for Barrett, Estelle orcid.org/0000-0001-9112-249X
Bolt, Barbara
Publication date 2007
Chapter number 10
Total chapters 12
Start page 135
End page 146
Total pages 12
Publisher I. B. Tauris
Place of Publication London, England
Summary A vexed issue for many artistic researchers is related to the need for the artist/researcher to write about his or her own work in the research report or exegesis. In the creative arts, the outcomes that emerge from an alternative logic of practice are not easily quantifiable and it can be difficult to articulate conclusions objectively given the emotional and ideological investments and the intrinsically subjective dimension of the artistic process. How then, might the artist as researcher avoid on the one hand, what has been referred to as 'auto-connoisseurship', the undertaking of a thinly veiled labour of valorising what has been achieved in the creative work, or alternatively producing a research report that is mere description or history?

In this paper I suggest that a way of overcoming such a dilemma is for creative arts researchers to shift the critical focus away from the notion of the work as product, to an understanding of both studio enquiry and its outcomes as process. I’d like to draw on Michel Foucault’s essay ‘What is An Author ‘ to explore how we might move away from art criticism to the notion of a critical discourse of practice-led enquiry that involves viewing the artist as a researcher, and the artist/critic as a scholar who comments on the value of the artistic process as the production of knowledge.

Foucault’s essay provides artistic researchers with a template for more objective and distanced discourse on the practice-led research process and its writing. It allows researchers to locate themselves within contexts of theory and practice and provides an analytical framework though which researchers might locate themselves and their work within the broader social arena and field of research, As I will show with reference to the work of Donna Haraway and a number of commentaries on Pablo Picasso’s Demioselles d’Avignon, an application of Foucault’s ideas need not negate those subjective and situated aspects of practice as research.
ISBN 9781845114329
1845114329
Language eng
Field of Research 190101 Art Criticism
Socio Economic Objective 970119 Expanding Knowledge through Studies of the Creative Arts and Writing
HERDC Research category B1 Book chapter
ERA Research output type B Book chapter
HERDC collection year 2006
Persistent URL http://hdl.handle.net/10536/DRO/DU:30003608

Document type: Book Chapter
Collection: School of Communication and Creative Arts
Connect to link resolver
 
Unless expressly stated otherwise, the copyright for items in DRO is owned by the author, with all rights reserved.

Versions
Version Filter Type
Citation counts: TR Web of Science Citation Count  Cited 0 times in TR Web of Science
Scopus Citation Count Cited 0 times in Scopus
Google Scholar Search Google Scholar
Access Statistics: 2140 Abstract Views, 10 File Downloads  -  Detailed Statistics
Created: Mon, 07 Jul 2008, 08:58:01 EST

Every reasonable effort has been made to ensure that permission has been obtained for items included in DRO. If you believe that your rights have been infringed by this repository, please contact drosupport@deakin.edu.au.