The body keeps the score

De Bruyn, Dirk 2007, The body keeps the score, in CADE 2007 : Proceedings of computers in art and design education conference: stillness, Curtin University of Technology, Perth, W. A., pp. 45-51.

Attached Files
Name Description MIMEType Size Downloads

Title The body keeps the score
Author(s) De Bruyn, Dirk
Conference name Computers in art and design education (CADE) (2007 : Perth, West Australia)
Conference location Perth, Australia
Conference dates 12th-14th September 2007
Title of proceedings CADE 2007 : Proceedings of computers in art and design education conference: stillness
Editor(s) Worden, Suzette
Green, Lelia
Thomas, Paul
Publication date 2007
Conference series Computers in Art and Design Education Conference
Start page 45
End page 51
Publisher Curtin University of Technology
Place of publication Perth, W. A.
Keyword(s) phenomenology
metamorphosis
speed, perception
rewindability
Summary American animator Robert Breer has been credited in introducing the first visual bomb to cinema in his loop film Image by Images I (1954), Two abstract animated films by Robert Breer are examined: 69 (1968 5 minutes) and Fuji (1974 10 minutes). Using Merleau-Ponty’s phenomenological perspective, though these films are not representational or photographic in the traditional sense it is argued that they are still able to talk to us about real experiences because ‘the lived perspective, that which we actually perceive, is not a geometric or photographic one.’(Merleau-Ponty, 1964b: 14) 69 provides a metaphor for a system that collapses and Fuji as an articulation of that embodied seeing required for train travel. It is argued that Breer’s work in its explorations of style ahead of content is research into an act of viewing that offers a contemporary simulation of the impact of a traumatic experience on the body. Just as one cannot grab each object in the landscape at the speed of train travel nor can one grab or understand each frame that is presented to the retina of a Robert Breer film. What is required to attain “stillness” is a more dissociated way of looking that allows the images to wash over you. Such a “stillness” may be more about suppression than contemplation and could involve a process of metamorphosis.
ISBN 1740675304
9781740675307
Language eng
Field of Research 190299 Film, Television and Digital Media not elsewhere classified
HERDC Research category E1 Full written paper - refereed
ERA Research output type E Conference publication
Persistent URL http://hdl.handle.net/10536/DRO/DU:30008226

Document type: Conference Paper
Collection: School of Communication and Creative Arts
Connect to link resolver
 
Unless expressly stated otherwise, the copyright for items in DRO is owned by the author, with all rights reserved.

Versions
Version Filter Type
Access Statistics: 437 Abstract Views, 2 File Downloads  -  Detailed Statistics
Created: Mon, 29 Sep 2008, 09:06:03 EST

Every reasonable effort has been made to ensure that permission has been obtained for items included in DRO. If you believe that your rights have been infringed by this repository, please contact drosupport@deakin.edu.au.