Sounding alien, touching the future : beyond the sonorous limit in science fiction film
Redmond, Sean 2011, Sounding alien, touching the future : beyond the sonorous limit in science fiction film, New review of film and television studies, vol. 9, no. 1, pp. 42-56.
Attached Files
(Some files may be inaccessible until you login with your Deakin Research Online credentials)
Name
Description
MIMEType
Size
Downloads
Title
Sounding alien, touching the future : beyond the sonorous limit in science fiction film
In this paper I examine two particular aspects of sounding science fiction film: first, the ulterior, Othering sounds of the alien, whether it is creature, object, technology or environment; and second, the soundscape that accompanies or underscores the type of space travel that crosses temporal and spatial thresholds. In both instances of sounding science fiction film I suggest that human limits are reached and breached, leading to a deterritorialization of the self and a hearing that touches the future which is a moment of pure becoming. I focus on the womanly sonority of the alien to suggest that patriarchal and heterosexist sound devices can be ultimately corrupted. In the analysis of sounding space travel I suggest that science film can create a series of moments in which one experiences the double sublime. This spectacular rendering of a liquid chaos enables the viewer to experience the logic of sensation beyond bodily integrity. In this paper my over-arching position is one that hears in science fiction film the profound potential of a radical alterity that exists beyond the sonorous limit.