Unsung oz hysteries

de Bruyn, Dirk 2012, Unsung oz hysteries, in 1st Alternative Film/Video Research Forum Abstracts, Alternative Film/Video Belgrade 2012, Belgrade, Serbia, pp. 2-.

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Title Unsung oz hysteries
Author(s) de Bruyn, Dirk
Conference name Alternative Film/Video Research Forum (1st : 2012 : Belgrade, Serbia)
Conference location Belgrade, Serbia
Conference dates 6-7 Dec. 2012
Title of proceedings 1st Alternative Film/Video Research Forum Abstracts
Editor(s) [Unknown]
Publication date 2012
Conference series Alternative Film/Video Research Forum
Start page 2
Publisher Alternative Film/Video Belgrade 2012
Place of publication Belgrade, Serbia
Keyword(s) film history
experimental film
alternative film
Summary The screening and funding opportunities for Experimental film in Australia has always had a problematic and underground history since the 1960s, moving through 16mm, super 8 and now digital moving image forms. One source of that history was Cantrills Filmnotes which expressed the rhetoric of a founding generation who experience the promise of a new Australian National Cinema and new film culture in the 70s, but whose mainstream product eventually left it behind. Experimental film inherited a marginal position through a lack of critical debate and because funding shifts left its identity somewhere between the fine arts and commercial cinema. It was consequently viewed as marginal to both. The general visual quality of this work meant it was perceived as apolitical, although it implicitly expressed and performed the denials and negations experienced directly by the migrant and working classes.

Through several cycles of emerging generations of artists (through such organizations as Fringe Network, MIMA and Experimenta), such artists knew more of the histories of work emanating from Europe and North America than their own, a general problem for Australian history. New underground opportunities are now arising to connect with the emerging and aspirant cultures coming out of Asia that reflect the shifts of global capital and the rise of China as an economic power. Asian work, registering a history of aspiration offers a re-integration of Peter Wollen’s avant-gardes split from the early 70s in the West. In the academy the Avant-garde’s strategies and techniques are studied, but are offered up in new work as aesthetic and lifestyle choices, rather than as the political imperatives announced implicitly or explicitly in their originating forms.
Language eng
Field of Research 200104 Media Studies
190101 Art Criticism
190104 Visual Cultures
Socio Economic Objective 950205 Visual Communication
HERDC Research category E2 Full written paper - non-refereed / Abstract reviewed
Persistent URL http://hdl.handle.net/10536/DRO/DU:30050046

Document type: Conference Paper
Collection: School of Communication and Creative Arts
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Created: Wed, 09 Jan 2013, 13:17:39 EST by Dirk De Bruyn

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