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Evanescent

McArdle, James 2013, Evanescent, Castlemaine State Festival, Castlemaine, Vic..

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Title Evanescent
Creator(s) McArdle, James
Year presented 2013
Year created 2013
Material type art original
Description of artwork Exhibition of photographs
Publisher Castlemaine State Festival
Place of publication Castlemaine, Vic.
Keyword(s) photography
camera obscura
landscape
Central Goldfields
touch
proprioception
surface
image
synæsthesia
lens
virtual image
Summary Exhibition of original artworks created in 2013. Evanescent is a new series produced in 2013 which premiered at the Castlemaine State Festival 15-24 March 2013. The series revisits a childhood delight and fascination with the projected image and the natural world. For me then, as it is now, a magnifying glass was a wonder; its simple optics twisted light into abstract comas and sci-fi aberrations; able to compact a whole view into a luminous, paradoxically inverted phantom that could fit literally into the palm of my hand. By curling fingers and thumb around the lens and cupping both hands around the elusive rays, and by peering into the space in which I had trapped them, I fancied that I had entered into the secret workings of the eye. Chrysalis, for example, appears as a scenic projection from a hand-held lens and simultaneously as the litter of the forest floor. It is produced with a makeshift camera-obscura. The nebulous silhouettes of trees, some blurred under the passing clouds of a summer wind resolve here and there into crisp lines curled across the surface of a fallen leaf on which a moth chrysalis adheres. The leaf assumes Brobdingnagian proportions and thickness as the evanescent image shrinks and is foreshortened then dissolves in the enlarged dust and grit. It manifests the unique sight anchored at this fixed point, to reveal what we might see if we were to become vegetable or mineral. Near and far, large and small, superimpose, trigonometrically exact in their adjacency and spatial relations, presenting us with a located point of view.Why? I want to understand more intimately the interior of the natural landscape, rather than any ‘scene’ of human presence, or the context of any cultural landmark. In the steep, bush locations in which I am making these images, my means are necessarily makeshift; my camera and an old manual-aperture lens able to be carried in a backpack with a black T-shirt as a 'dark-tent'. The project is not systematic but intuitive and responsive to prevailing conditions and the effect on the projection caused by sun, shade, weather and situation. I am guided by the response of objects, textures and surfaces to the projected image and how they modulate and map it. This is landscape, but not from a human point of view.
Notes Entry in Castlemaine State Festival Catalogue, a festival-auspiced exhibition.
Language eng
Field of Research 190503 Lens-based Practice
Socio Economic Objective 970119 Expanding Knowledge through Studies of the Creative Arts and Writing
HERDC Research category J1 Major original creative work
ERA Research output type JO1 Original creative work - Visual art work
HERDC collection year 2013
Copyright notice ©2013, The Author
Persistent URL http://hdl.handle.net/10536/DRO/DU:30056176

 
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Created: Tue, 24 Sep 2013, 16:39:50 EST by James Mc Ardle

Every reasonable effort has been made to ensure that permission has been obtained for items included in DRO. If you believe that your rights have been infringed by this repository, please contact drosupport@deakin.edu.au.