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Souvenirs of the senses: collaborative and cross-artform makings

West, Patrick, Keane, Jondi, Jeremijenko, Valerie and Yyellard, Bryad 2013, Souvenirs of the senses: collaborative and cross-artform makings, in Proceedings of the 18th conference of the Australasian Association of Writing Programs, Australasian Association of Writing Programs, Canberra, ACT.

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Title Souvenirs of the senses: collaborative and cross-artform makings
Author(s) West, PatrickORCID iD for West, Patrick orcid.org/0000-0003-4957-4294
Keane, JondiORCID iD for Keane, Jondi orcid.org/0000-0002-6553-3313
Jeremijenko, Valerie
Yyellard, Bryad
Conference name AAWP Writing Conference (18th : 2013 : Canberra, ACT)
Conference location Canberra, A. C. T.
Conference dates 25-27 Nov. 2013
Title of proceedings Proceedings of the 18th conference of the Australasian Association of Writing Programs
Editor(s) [Unknown]
Publication date 2013
Conference series AAWP Writing Conference
Total pages 20
Publisher Australasian Association of Writing Programs
Place of publication Canberra, ACT
Keyword(s) Souvenirs
Senses
Collaboration
Making
Place
Summary Souvenir hunters are often limited in their selection of souvenirs to objects that evoke an iconic and/or generic relationship to place. For example, a small-scale replica of the Eiffel Tower might substitute for a whole range of other more personal responses to the sensory experience of being in Paris. This paper reports on a collaborative and cross-artform five-day workshop, “Souvenirs of the Senses”, conducted in Qatar in early 2013 as part of Tasmeem Doha: Hybrid Making, a biennial international art and design conference. Two of the three workshop leaders, Patrick West and Jondi Keane, were Australian-based visitors whereas workshop leader Valerie Jeremijenko is permanently based in Qatar. There were five workshop participants from a diverse range of international and Qatari backgrounds. One of the conference themes, “Made in Qatar”, heightened our attention to what it means to be spending time in, and making things in, one place as opposed to any other place. What did it mean to be making something in a country where so many things have to be imported? Building on this line of thought, the second conference theme, “Hybrid Making”, suggested possibilities for undoing traditional modes of souvenir making as part of the creation of more complex objects that might be sutured to the singular experiences of place that happen when a.) established regimes of tourism are disrupted, and b.) experiences of place are curated via a focused awareness of the operations of the senses as sustained within our collaborative, cross-artform workshop environment. What attracts our attention is how objects ripe for “souveniring”, when they are considered as perceptual systems, suggest new ways of experimenting with the fabrication of objects and of artistic and individual relationships to place, and further, how hybrid souvenirs affect the way in which a place is re-membered (put together) and re-made in memory.
ISBN 9780980757378
Language eng
Field of Research 190402 Creative Writing (incl Playwriting)
190504 Performance and Installation Art
Socio Economic Objective 970119 Expanding Knowledge through Studies of the Creative Arts and Writing
HERDC Research category E1 Full written paper - refereed
ERA Research output type E Conference publication
HERDC collection year 2013
Copyright notice ©2013, Australasian Association of Writing Programs
Persistent URL http://hdl.handle.net/10536/DRO/DU:30059668

Document type: Conference Paper
Collection: School of Communication and Creative Arts
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Created: Tue, 21 Jan 2014, 13:39:38 EST by Jondi Keane

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