You are not logged in.

Researching women in silent cinema: new findings and perspectives

2013, Researching women in silent cinema: new findings and perspectives. Edited by Duckett, Victoria, Dall'Asta, Monica and Tralli, Lucia, University of Bologna, Bologna, Italy.

Attached Files
Name Description MIMEType Size Downloads

Title Researching women in silent cinema: new findings and perspectives
Editor(s) Duckett, VictoriaORCID iD for Duckett, Victoria orcid.org/0000-0001-7867-5014
Dall'Asta, Monica
Tralli, Lucia
Publication date 2013
Series Women and Screen Cultures
Total pages 436
Publisher University of Bologna
Place of Publication Bologna, Italy
Keyword(s) silent film
feminism
women and early film
film history
historiography
Summary This anthology exposes the richness and variety of interests that motivate feminist film research today. Exploring women’s contribution to silent cinema, scholars from across the globe address questions of performance, nationality, industry, technology, labor, and theory of feminist historiography. The volume builds on the thematic, methodological, and material diversity that characterized earlier efforts in women’s film history, and the originating context of the sixth Women and the Silent Screen conference (Bologna, 2010). Much emphasis is given to the transitional period of silent cinema (1910s to the early 1920s), which emerges as the field where feminist film scholars are beginning to claim their own theoretical and historical ‘place’. While giving a new impetus to the idea of transitional cinema, the collected essays also illuminate the importance of film’s transnational circulation. Questions of nation and nationhood, and women’s inclusion or exclusion within these terms, are examined in connection to issues of cultural globalization. How did American serial queens impact early Chinese film? How did the variety stage accommodate American films in Rio de Janeiro? Along what lines might we discuss women filmmakers who literally toured the world? These are just some of the issues that are discussed in the volume. Each investigation prompts us into distinct acts of cultural contextualization. A particular focus on acting and the agency of the actress is shared across the volume. The fundamental figure of the actress links multiple threads of scholarship, traversing different films and national cinemas. Alice Guy, Asta Nielsen, Florence Turner, Lois Weber, Mary Pickford, Esfir’ Shub, Pearl White, Vera Karalli, Aleksandra Khokhlova, Elsa Lanchester, Louise Fazenda, Sarah Bernhardt, Gemma Bellincioni, Angelina Buracci, Yin Mingzhu, Leni Riefensthal: these are but some of the names that are encountered across the essays in the collection. New findings are exposed and new research perspectives are opened through these and other figures, allowing us to uncover original ways of thinking about women’s visibility and agency on film.
ISSN 2283-6462
Language eng
Field of Research 190201 Cinema Studies
200206 Globalisation and Culture
Socio Economic Objective 970119 Expanding Knowledge through Studies of the Creative Arts and Writing
HERDC Research category A7.1 Edited book
Persistent URL http://hdl.handle.net/10536/DRO/DU:30062491

Document type: Book
Collection: School of Communication and Creative Arts
Connect to link resolver
 
Unless expressly stated otherwise, the copyright for items in DRO is owned by the author, with all rights reserved.

Versions
Version Filter Type
Citation counts: TR Web of Science Citation Count  Cited 0 times in TR Web of Science
Scopus Citation Count Cited 0 times in Scopus
Google Scholar Search Google Scholar
Access Statistics: 114 Abstract Views, 1 File Downloads  -  Detailed Statistics
Created: Tue, 15 Apr 2014, 23:19:59 EST by Victoria Duckett

Every reasonable effort has been made to ensure that permission has been obtained for items included in DRO. If you believe that your rights have been infringed by this repository, please contact drosupport@deakin.edu.au.