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The man who mistook Marat for Sade: 'living' memory and the video archive

D'Cruz, Glenn 2014, The man who mistook Marat for Sade: 'living' memory and the video archive, Australasian drama studies, no. 64, pp. 155-176.

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Title The man who mistook Marat for Sade: 'living' memory and the video archive
Author(s) D'Cruz, GlennORCID iD for D'Cruz, Glenn orcid.org/0000-0002-6438-1725
Journal name Australasian drama studies
Issue number 64
Start page 155
End page 176
Total pages 22
Publisher La Trobe University, Theatre & Drama Program
Place of publication Bundoora, Vic.
Publication date 2014-06
ISSN 0810-4123
Keyword(s) Australian theatre
The Sydney Front
memory
digital video
art--archival resources
drama
nude in art
Summary Digital video archives, which are growing at an exponential rate, will become increasingly important to Theatre History and Performance Studies, and questions of how scholars negotiate the relationships between memory, technology and performance events in theoretical and practical terms will become crucial. Indeed, there is already a considerable body of scholarly material on this topic. This article considers these questions with specific reference to the relationship between video records deposited in digital archives and human memory. First and foremost, this article raises questions about the authority of the archive and the ways in which archival technologies, in the words of Maaike Bleeker, 'transform how we remember, how our and others' memories are entangled in the here-and-now, and, in the end, even how we think and imagine'.
Language eng
Field of Research 190404 Drama, Theatre and Performance Studies
Socio Economic Objective 950105 The Performing Arts (incl. Theatre and Dance)
HERDC Research category C1 Refereed article in a scholarly journal
Copyright notice ©2014, La Trobe University, Theatre & Drama Program
Persistent URL http://hdl.handle.net/10536/DRO/DU:30063173

Document type: Journal Article
Collection: School of Communication and Creative Arts
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Created: Fri, 09 May 2014, 18:49:38 EST by Glenn D'Cruz

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