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Presents//presence: Telematics, performance and embodiment

Dennis, Rea and Miranda, Magda 2014, Presents//presence: Telematics, performance and embodiment, Liminalities: a journal of performance studies, vol. 10, no. 1, pp. 1-1.

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Title Presents//presence: Telematics, performance and embodiment
Author(s) Dennis, ReaORCID iD for Dennis, Rea orcid.org/0000-0002-6214-3504
Miranda, Magda
Journal name Liminalities: a journal of performance studies
Volume number 10
Issue number 1
Start page 1
End page 1
Total pages 1
Publisher University of South Florida
Place of publication Tampa, Florida
Publication date 2014-05
ISSN 1557-2935
Keyword(s) telematic performance
intercultural performance
virtual embodiment
autobiographical performance
presence
screen
perception
time
Summary Of giving and receiving // Of giving and taking // Of exchanges
Reciprocity // Mutuality // Expectations

A performance of liveness in which the presence of the performer is interrogated.

Drawing on Dan Graham's (1974) Two Consciousness Project, Presents//Presence plays on Object = Space relationships. Engaging with contemporary notions of thinking and consciousness, the performance plays with time - the here and now, the passage of time, time zones, and timing.

Lovers. An anniversary. Fine Dining. Distance. Skype.

Presents disrupt subject positions of audience, of performer; something happens while we are waiting for something else to happen. Through the use portable computers and hand-held (smart) devices for the capture and 'projection' of action in real time, the exploration sets out to engage with notions live and remote, absence and presence, the play of embodied transmission and live performance and the perception of absence.

Through a simulation of the simultaneous presences (performances) of performers Magda Miranda and Rea Dennis, Presents//Presence is a performative event that (re) activates live/d moments in the lives of the artists. Such presence characterizes computer time – “a permanent present, an unbounded, timeless intensity” (Virilio in Dixon 90). Such presence could also be said to characterize the intra-subjective experience of intimacy. The piece draws on the languages of live theatre, elements of autobiographical performance, inter- and intra-subjective perception, and an understanding of time as a spatial metaphor. This paper reports on the performance event Presents//Presence. In it, we outline the narrative and structural anchors that frame the piece and discuss some of the theoretical threads informing the research. The paper is accompanied by a recording of the performance that was delivered to a live audience at University of South Wales, Cardiff during the Remote Encounters conference in April 2013.


Notes Issue 10.1 is a special issue, compiled from the outcomes of international conference: Remote Encounters: Connecting Bodies, Collapsing Spaces and Temporal Ubiquity in Networked Performance, held from 11 - 12 Apr. 2013
Language eng
Field of Research 190404 Drama, Theatre and Performance Studies
Socio Economic Objective 950105 The Performing Arts (incl. Theatre and Dance)
HERDC Research category C1 Refereed article in a scholarly journal
Copyright notice ©2014, University of South Florida
Free to Read? Yes
Persistent URL http://hdl.handle.net/10536/DRO/DU:30065073

Document type: Journal Article
Collections: School of Communication and Creative Arts
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Created: Wed, 23 Jul 2014, 16:36:20 EST by Rea Dennis

Every reasonable effort has been made to ensure that permission has been obtained for items included in DRO. If you believe that your rights have been infringed by this repository, please contact drosupport@deakin.edu.au.