Crossing paths with Vivian Maier Pound, Patrick, Cass, Naomi and Neri, Louise 2014, Crossing paths with Vivian Maier, Melbourne, Vic., 3 Oct.-26 Oct. 2014, Melbourne, Vic., Centre for Contemporary Photograph. Attached Files Name Description MIMEType Size Downloads Title Crossing paths with Vivian Maier Creator(s) Pound, Patrick orcid.org/0000-0003-4726-4700 Cass, Naomi Neri, Louise Conference, exhibition or event name Crossing Paths with Vivian Maier (2014 : Melbourne, Vic.) Conference, exhibition or event location Melbourne, Vic. Conference, exhibition or event dates 3 Oct.-26 Oct. 2014 Publication date 2014 Description of resource Curated exhibition; 23 days Publisher Centre for Contemporary Photograph Place of publication Melbourne, Vic. Keyword(s) Pound vernacular photography Collection theory Curatorial studies Curatorial art works Collection based art work Summary An exhibition curated by Naomi Cass, Louise Neri and Karra ReesDuring her lifetime, Vivian Maier (1926—2009) produced more than 100,000 photographic images, which remained largely undiscovered until after her death. CCP celebrates this reluctant artist's timely relevance, juxtaposing her work with contemporary Australian photography, performance and video.Maier's prolific body of work recording both herself and the world around her—predominately with a distinctive medium format Rolleiflex twin-lens reflex camera—is a precursor to our age of compulsive photographic documentation via smart phones and digital media. The posthumous construction of her identity is almost as compelling as her images and her ability to determine and frame a gripping moment with poignancy and beauty. Time has been Maier's collaborator, where nostalgia plays a significant role in the popularity of her archive. In Crossing Paths with Vivian Maier, Maier's photography—printed well after her death—is presented with contemporary Australian artists working in still, moving and found photography and who also document the street and themselves in an equally obsessive manner.Against the gritty street life captured by her probing lens, Patrick Pound responds with second-hand images gleaned from junk shops and the Internet, while Debra Phillips and David Wadelton make an inventory of the city and its quirky features. Maier's self-portraits reverberate with Australian women artists who turn the camera on themselves in performative ways, in the work of Cherine Fahd, Gabriella Mangano and Silvana Mangano, Clare Rae, Simone Slee and Kellie Wells. Notes Curated exhibition at the Centre for Contemporary Photograph as part of the Melbourne Festival Language eng Field of Research 190399 Journalism and Professional Writing not elsewhere classified Socio Economic Objective 0 Not Applicable HERDC Research category J2 Minor original creative works Copyright notice ©2014, Centre for Contemporary Photograph Persistent URL http://hdl.handle.net/10536/DRO/DU:30070743 Document type: Conference, Exhibition or Event Collections: Faculty of Arts and Education ERA Postprints 2018 ERA Submission Related Links Link Description Publisher URL Go to link with your DU access privileges     Unless expressly stated otherwise, the copyright for items in DRO is owned by the author, with all rights reserved. Versions Version Filter Type Mon, 16 Mar 2015, 14:58:55 EST Tue, 17 Mar 2015, 04:06:38 EST Wed, 11 Nov 2015, 13:51:07 EST Thu, 12 Nov 2015, 10:06:23 EST Tue, 06 Feb 2018, 13:50:00 EST Tue, 27 Feb 2018, 19:29:35 EST Tue, 27 Feb 2018, 19:30:58 EST Fri, 16 Mar 2018, 11:16:31 EST Filtered Full Citation counts:   Cited 0 times in TR Web of Science Cited 0 times in Scopus Search Google Scholar Access Statistics: 345 Abstract Views, 0 File Downloads  -  Detailed Statistics Created: Mon, 16 Mar 2015, 14:58:55 EST

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