Seeing, sensing sound: eye tracking soundscapes in Saving Private Ryan and Monsters Inc.

Rassell, Andrea, Robinson, Jenny, Verhagen, Darrin, Pink, Sarah, Redmond, Sean and Stadler, Jane 2016, Seeing, sensing sound: eye tracking soundscapes in Saving Private Ryan and Monsters Inc.. In Reinhard, C and Olson, C (ed), Making sense of cinema: empirical studies into film spectators and spectatorship, Bloomsbury Academic, New York, N.Y., pp.139-164.

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Title Seeing, sensing sound: eye tracking soundscapes in Saving Private Ryan and Monsters Inc.
Author(s) Rassell, Andrea
Robinson, Jenny
Verhagen, Darrin
Pink, Sarah
Redmond, SeanORCID iD for Redmond, Sean orcid.org/0000-0002-1460-8610
Stadler, Jane
Title of book Making sense of cinema: empirical studies into film spectators and spectatorship
Editor(s) Reinhard, C
Olson, C
Publication date 2016
Chapter number 7
Total chapters 14
Start page 139
End page 164
Total pages 25
Publisher Bloomsbury Academic
Place of Publication New York, N.Y.
Keyword(s) eye tracking
film
sound
gaze
spectatorship
Summary Drawing largely on cinematic theories of sound, film aesthetics, and neuroscientific understandings of the eye and the gaze, we undertake a comparative analysis of two film sequences to address these questions: the chase sequence" from the animated film, Monsters, Inc. (Pete Docter, David Silverman, and Lee Unkrich, 2001); and the Omaha Beach landing sequence from Saving Private Ryan (Steven Spielberg, 1998).
ISBN 9781501302947
Language eng
Field of Research 200212 Screen and Media Culture
Socio Economic Objective 970119 Expanding Knowledge through Studies of the Creative Arts and Writing
HERDC Research category B1 Book chapter
ERA Research output type B Book chapter
Copyright notice ©2016, Bloomsbury Academic
Persistent URL http://hdl.handle.net/10536/DRO/DU:30083810

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