Seeing, sensing sound: eye tracking soundscapes in Saving Private Ryan and Monsters Inc.
Rassell, Andrea, Robinson, Jenny, Verhagen, Darrin, Pink, Sarah, Redmond, Sean and Stadler, Jane 2016, Seeing, sensing sound: eye tracking soundscapes in Saving Private Ryan and Monsters Inc.. In Reinhard, C and Olson, C (ed), Making sense of cinema: empirical studies into film spectators and spectatorship, Bloomsbury Academic, New York, N.Y., pp.139-164.
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Title
Seeing, sensing sound: eye tracking soundscapes in Saving Private Ryan and Monsters Inc.
Drawing largely on cinematic theories of sound, film aesthetics, and neuroscientific understandings of the eye and the gaze, we undertake a comparative analysis of two film sequences to address these questions: the chase sequence" from the animated film, Monsters, Inc. (Pete Docter, David Silverman, and Lee Unkrich, 2001); and the Omaha Beach landing sequence from Saving Private Ryan (Steven Spielberg, 1998).
ISBN
9781501302947
Language
eng
Field of Research
200212 Screen and Media Culture
Socio Economic Objective
970119 Expanding Knowledge through Studies of the Creative Arts and Writing
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