A tissue of denials: film retrospective (1979-2016) De Bruyn, Dirk 2016, A tissue of denials: film retrospective (1979-2016), ZKM Karlsruhe, Germany, 21 Oct. 2016, ZKM Karlsruhe, Germany, Punto Y Raya Festival 2016. Attached Files Name Description MIMEType Size Downloads Title A tissue of denials: film retrospective (1979-2016) Creator(s) De Bruyn, Dirk Conference, exhibition or event name Punto Y Raya. Festival (2016 : ZKM Karlsruhe, Germany) Conference, exhibition or event location ZKM Karlsruhe, Germany Conference, exhibition or event dates 21 Oct. 2016 Publication date 2016 Description of resource A retrospective screening of films from 1979 to present Publisher Punto Y Raya Festival 2016 Place of publication ZKM Karlsruhe, Germany Summary My abstract moving image making has provided a foundation for my practice since I first started processing and solarizing my own 16mm film in one of those LOMO Russian processing tanks in 1973. Feyers, Zoomfilm (1976) and Running (1976) rework some of those early strips of black and white film. Whenever funding dried up I always fell back on my abstract direct on film work. It was cheap. Like knitting, it gave me a space to process the dilemmas and incongruities of daily life and to escape its clutches. I also began to understand that these forces were still there, embedded implicitly in the work. Now, more than ever, I understand this as a survival response to corporate doublespeak. I would never throw anything away. New scratching, painting, taping or bleaching strategies could be added later. Intensive cluster editing of single frames became an obsession. The translated difference between what you saw over a light-box and what was projected drew me in. Like the migrant position I was allocated from childhood I survived in the space between these two territories. As well as an archive of images and movement I collect optical effects. The flash frame. The trail of afterimages resulting from flickering between positive and negative images. At their liveliest these images float above the screen. Now the digital allows me to amplify the material presence of 16m and 35mm film and a whole new world opens up before me. I cobble together found footage films from my own archive of discarded data and unfinished sentences. Language eng Field of Research 190201 Cinema Studies Socio Economic Objective 950204 The Media HERDC Research category J1 Major original creative works ERA Research output type JO4 Original creative work - Other Copyright notice ©2016, De Bruyn Persistent URL http://hdl.handle.net/10536/DRO/DU:30086345 Document type: Conference, Exhibition or Event Collections: Faculty of Arts and Education School of Communication and Creative Arts 2018 ERA Submission Related Links Link Description Publisher URL Go to link with your DU access privileges     Unless expressly stated otherwise, the copyright for items in DRO is owned by the author, with all rights reserved. Versions Version Filter Type Tue, 27 Sep 2016, 16:54:16 EST Tue, 27 Sep 2016, 16:59:12 EST Mon, 03 Oct 2016, 07:58:08 EST Tue, 04 Oct 2016, 04:00:31 EST Tue, 04 Oct 2016, 05:08:54 EST Wed, 19 Oct 2016, 10:39:39 EST Fri, 11 Nov 2016, 12:45:54 EST Fri, 11 Nov 2016, 12:48:00 EST Fri, 11 Nov 2016, 12:50:06 EST Sun, 25 Feb 2018, 16:12:40 EST Fri, 16 Mar 2018, 10:47:20 EST Thu, 22 Mar 2018, 13:45:11 EST Mon, 26 Mar 2018, 09:42:44 EST Mon, 26 Mar 2018, 09:45:31 EST Mon, 26 Mar 2018, 09:47:29 EST Wed, 12 Jun 2019, 09:55:09 EST Filtered Full Citation counts:   Cited 0 times in TR Web of Science Cited 0 times in Scopus Search Google Scholar Access Statistics: 300 Abstract Views, 4 File Downloads  -  Detailed Statistics Created: Mon, 03 Oct 2016, 07:58:08 EST

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