Breathing in the atmosphere : affect and improvised dance performance

Mcleod, Shaun 2016, Breathing in the atmosphere : affect and improvised dance performance, Melbourne, Victoria, 2016/07/05 - 2016/07/09, Melbourne, Vic., PSi.

Attached Files
Name Description MIMEType Size Downloads

Title Breathing in the atmosphere : affect and improvised dance performance
Creator(s) Mcleod, ShaunORCID iD for Mcleod, Shaun orcid.org/0000-0003-1917-5436
Conference, exhibition or event name Performance Studies international #22 Performance Climates. Conference (2016 : Melbourne, Victoria)
Conference, exhibition or event location Melbourne, Victoria
Conference, exhibition or event dates 2016/07/05 - 2016/07/09
Publication date 2016
Description of resource Performed presentation with improvised movement and spoken text
Publisher PSi
Place of publication Melbourne, Vic.
Keyword(s) Performance
dance
imoprovisation
atmospheres
Summary Whether conceptually or experientially atmospheres are hazy. Atmospheric situations often emerge without us being able to control or fully apprehend the conditions of their emergence. Atmospheres affect us not at the cognitive level but through embodiment - through the sensory capacities of our bodies and subsequent registers of affect. We feel atmospheres. Dance improvisers also feel what emerges in an improvisation, whether as the adrenalizing effect of the audience’s presence or because the dancer is immersed in their own movement (as the affect of interest). But dance improvisation is a situation in which atmospheres (and their affective impacts) emerge in unpredictable ways. Becoming attuned to ‘what is going on’ is an aspect of improvisational skill but improvised performance is also an exposure to ‘not knowing’ – not knowing what will happen (or how it will change), not knowing what motivated the movement. This exposure to ‘forces of not knowing’ is similar to many atmospheric situations in everyday life which we negotiate according to personal habits and personal levels of discernment. This performative paper picks up on Gernot Bőhme’s concept of a “new aesthetics” such that hazy atmospheres, and the uncertainty of where they come from, can be claimed as part of an aesthetic encounter. It also reflects on the act of breathing as a potential interface between aesthetic and scientific definitions of ‘atmosphere’.
Language eng
Field of Research 190403 Dance
Socio Economic Objective 950105 The Performing Arts (incl. Theatre and Dance)
HERDC Research category J1 Major original creative works
ERA Research output type X Not reportable
Copyright notice ©2016, The Creator
Persistent URL http://hdl.handle.net/10536/DRO/DU:30086374

Document type: Conference, Exhibition or Event
Collections: Faculty of Arts and Education
School of Communication and Creative Arts
Connect to link resolver
 
Unless expressly stated otherwise, the copyright for items in DRO is owned by the author, with all rights reserved.

Versions
Version Filter Type
Citation counts: TR Web of Science Citation Count  Cited 0 times in TR Web of Science
Scopus Citation Count Cited 0 times in Scopus
Google Scholar Search Google Scholar
Access Statistics: 230 Abstract Views, 2 File Downloads  -  Detailed Statistics
Created: Wed, 28 Sep 2016, 13:42:05 EST

Every reasonable effort has been made to ensure that permission has been obtained for items included in DRO. If you believe that your rights have been infringed by this repository, please contact drosupport@deakin.edu.au.