Eyes inside words: prose poetry, imagism, aesthetic empathy and autobiographical memory

Hetherington, Paul and Atherton, Cassandra 2017, Eyes inside words: prose poetry, imagism, aesthetic empathy and autobiographical memory, Text, no. 46, Special issue: beyond the line: contemporary prose poetry, pp. 1-20.

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Title Eyes inside words: prose poetry, imagism, aesthetic empathy and autobiographical memory
Author(s) Hetherington, Paul
Atherton, CassandraORCID iD for Atherton, Cassandra orcid.org/0000-0001-6866-8566
Journal name Text
Issue number 46
Season Special issue: beyond the line: contemporary prose poetry
Start page 1
End page 20
Total pages 20
Publisher Australian Association of Writing Programs
Place of publication Nathan, Qld.
Publication date 2017-10-23
ISSN 1327-9556
Keyword(s) prose poetry
aesthetic empathy
Summary One of the features of contemporary prose poetry is that it often makes conspicuous use of imagery, in some cases drawing on techniques pursued by the Imagist movement in the early 20th century. In Ezra Pound’s words, the Imagists were interested in ‘art that bears true witness ... art that is most precise’. Contemporary prose poets frequently try to honour the spirit of Pound’s comment as they make images in their prose poems and, in doing so, providing readers with a way of imaginatively entering their works, enabling them to read them ‘from within’. Visual imagery in prose poetry provides a pathway through which readers are able to achieve aesthetic empathy with such works, allowing them to read these works as if their propositions are actually and presently the case. While the same may be said for poetry more generally, we argue that it is especially the case in prose poetry, where the rectangular form draws the reader into a room-like space. This tends to generate a compressed sense of timespace and thus intensify the effects of imagery and its connections to autobiographical memory. In the absence of line breaks and the kinds of closure associated with lineated poetry, visual imagery also helps crystallise the utterance of prose poems, bringing it into focus – almost as if prose poems see and, in turn, are able to be seen through.
Language eng
Field of Research 190499 Performing Arts and Creative Writing not elsewhere classified
1904 Performing Arts And Creative Writing
HERDC Research category C1 Refereed article in a scholarly journal
Copyright notice ©[2017, Australian Association of Writing Programs]
Persistent URL http://hdl.handle.net/10536/DRO/DU:30104278

Document type: Journal Article
Collections: Faculty of Arts and Education
School of Communication and Creative Arts
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