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Seeing, sensing sound: eye tracking soundscapes in saving private Ryan and monsters inc.

Version 2 2024-06-03, 15:35
Version 1 2016-05-31, 10:15
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posted on 2024-06-03, 15:35 authored by A Rassell, J Robinson, D Verhagen, S Pink, Sean Redmond, J Stadler
Drawing largely on cinematic theories of sound, film aesthetics, and neuroscientific understandings of the eye and the gaze, we undertake a comparative analysis of two film sequences to address these questions: the chase sequence" from the animated film, Monsters, Inc. (Pete Docter, David Silverman, and Lee Unkrich, 2001); and the Omaha Beach landing sequence from Saving Private Ryan (Steven Spielberg, 1998).

History

Chapter number

8

Pagination

139-164

ISBN-13

9781501302947

Language

eng

Author URL

Publication classification

B1 Book chapter, B Book chapter

Copyright notice

2016, Bloomsbury Academic

Extent

14

Editor/Contributor(s)

Reinhard C, Olson C

Publisher

Bloomsbury Academic

Place of publication

New York, N.Y.

Title of book

Making sense of cinema: empirical studies into film spectators and spectatorship

Publication URL

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    Keywords

    eye trackingfilmsoundgazespectatorshipSchool of Communication and Creative Arts200212 Screen and Media Culture970119 Expanding Knowledge through Studies of the Creative Arts and Writing4702 Cultural studies

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    All Rights Reserved

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