Motion capture provides 'snapshots' of the complexity of movement patterning. This presentation explores how this complexity can be mapped to specific variables for analysis, and what such analyses both reveal and mask in relation to the choreographic practices involved, drawing on my three-year collaboration with mathematician Vicky Mak-Hau and biomechanist Richard Smith at the Deakin Motion.Lab in Melbourne, Australia. The paper explores how these analyses can potentially drive creative processes in dance, and, through a discussion of performance project Choreotopography, how real-time motion capture can visualize and enhance spatial pathways using 3D stereoscopic projection.
History
Location
Istanbul, Turkey
Open access
Yes
Start date
2011-09-14
End date
2011-09-21
Language
eng
Publication classification
E2 Full written paper - non-refereed / Abstract reviewed