Haptically-enabled dance visualisation framework for deafblind-folded audience and artists
Version 2 2024-06-04, 02:17
Version 1 2016-02-26, 13:50
conference contribution
posted on 2015-01-01, 00:00 authored by Mohammed Hossny, Saeid Nahavandi, Michael FieldingMichael Fielding, James MullinsJames Mullins, Shady MohamedShady Mohamed, Douglas CreightonDouglas Creighton, John Mccormick, Kim Vincs, Jordan VincentJordan Vincent, Steph HutchisonIn this paper we propose a framework for communicating
performance art to deaf, blind and deafblind audiences
and artists haptically through the sense of touch. This research
opens doors for novel artistic trends relying mainly on the
sense of touch. The paper investigates the design considerations
dictated by solo and group dances as well as stage setup.
Implementation scenarios for deafblind audiences and performers
are also discussed.
performance art to deaf, blind and deafblind audiences
and artists haptically through the sense of touch. This research
opens doors for novel artistic trends relying mainly on the
sense of touch. The paper investigates the design considerations
dictated by solo and group dances as well as stage setup.
Implementation scenarios for deafblind audiences and performers
are also discussed.
History
Event
IEEE International Conference on Systems, Man, and Cybernetics (2015 : Hong Kong, China)Pagination
446 - 450Publisher
IEEELocation
Hong Kong, ChinaPlace of publication
Piscataway, N.J.Publisher DOI
Start date
2015-10-09End date
2015-10-12ISSN
1062-922XISBN-13
9781479986965Language
EnglishPublication classification
E Conference publicationCopyright notice
2015, IEEETitle of proceedings
SMC 2015 : Big Data Analytics for Human-Centric Systems. Proceedings of the 2015 IEEE International Conference on Systems, Man, and CyberneticsUsage metrics
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