Version 2 2024-06-04, 02:40Version 2 2024-06-04, 02:40
Version 1 2014-10-28, 10:20Version 1 2014-10-28, 10:20
conference contribution
posted on 2024-06-04, 02:40authored byG D'Cruz, D de Bruyn
This dialogue is the text-based component of an evolving performative multi-media lecture. By re-reading Guy Debord's The Society of the Spectacle, in relation to the global Occupy movement and the rise of social media, we ask: in what ways does the proliferation of digital imagery enable and limit this recent form of political activism? By subjectively responding to selective quotations from Debord's writing, we link the triumvirate of global capitalism, public space and digital technology, producing commentary on the displacement imposed by contemporary 'spectacular' technologies, the networked 'technical image' and the politics of public space.
History
Pagination
1-3
Location
Sydney, NSW
Open access
Yes
Start date
2013-06-07
End date
2013-06-16
ISBN-13
9780646913131
Language
eng
Publication classification
E1 Full written paper - refereed, E Conference publication
Copyright notice
2013, The Authors
Editor/Contributor(s)
Cleland K, Fisher L, Harley R
Title of proceedings
ISEA 2013 : Resistance is futile : Proceedings of the 2013 International Symposium on Electronic Arts
Event
International Symposium on Electronic Art (19th : 2013 : Sydney, N. S. W.)
Publisher
ISEA International
Place of publication
Brighton, Eng.
Series
Proceedings of the international symposium of electronic art, ISEA