Community is an overarching word that encompasses people in formal and informal settings covering a broad range of activities. Engaging through sound ‘in community’ and ‘as community’ provides the opportunity for participants come together make and share music through song. This paper focuses on voice (singing) across
the Tasman within formal and informal locations. Dawn draws on interview data within an ‘informal’ space with three community choirs in regional Victoria (Australia) from her wider study Spirituality and Wellbeing: Music in the Community. The data shows that
choir members use voice to connect with their local community around issues about social justice and the environment. The choir ndings are reported under two overarching themes: connections to singing and wellbeing, and connections to community. Robyn uses narrative re ection as she focusses on song lyrics as shared text with her generalist pre-service teacher’s in a ‘formal’ space within the Bachelor of Education (primary) programme at the University of Auckland. She explores the deeper meaning, and language features such as metaphor and personi cation that are evident in many songs and argues that songs provide a useful context for cultural and language learning. Her narrative is discussed under two overarching themes: bene ts of singing, and social and linguistic connections. Though generalisations about singing across the Tasman cannot be made to other community or educational settings, we assert that singing is a powerful medium that can foster positive growth in education and community settings.
History
Location
Auckland, N.Z.
Start date
2017-11-22
End date
2017-11-25
Language
eng
Publication classification
EN Other conference paper
Copyright notice
2017, World Alliance for Arts Education
Editor/Contributor(s)
[Unknown]
Title of proceedings
Engaging with Communities : Proceedings of the 7th World Alliance for Arts Education Conference 2017
Event
World Alliance for Arts Education. Conference (7th : 2017 : Auckland, N.Z.)