The White Building

The White Building project was a multi-year participatory transmedia project using art as a mechanism for community building and organising in the White Building in Phnom Penh, Cambodia. The White Building in central Phnom Penh was built in 1963 as part of a modernist vision of social housing for artists and performers. Following the trauma of the Khmer Rouge, where the city was emptied and an estimated ninety percent of Cambodia’s artists were killed, the intervening Vietnamese-backed government sought to repopulate the building with an invitation to surviving artists to return. In recent years, largely due to government neglect, the building has fallen into disrepair and was demolished in June 2017. However, behind the fading facade and dilapidated infrastructure there was a complex community of over three thousand people including artists, musicians, community activists and everyday city dwellers. This research project archives and explores the role of recent media, art and creative community projects to document the everyday lives of the Building's inhabitants as both a means of resistance and to enable critical reflexivity among participants. The key question posed at the outset of development of the programs was “can localised creative art and media programs amplify the lived experience of a community and positively impact internal and external perception, identification and position?” To address this question a number of initiatives across a variety of mediums and media platforms were developed. This included development of the Aziza Film School, weekly art, photography, digital storytelling and community organising programs, events and exhibitions in the White Building showcasing creative works by residents for both internal and external audiences, partnership with local groups such as Sa Sa Art Projects who ran a gallery space and artist in residency program in the Building and fostering the development of the White Building Collective - a group of residents and students at the film school who have created high impact films, photography and online works including the Humans of Phnom Penh series. And in partnership with Sa Sa Art Projects the development of festivals, screenings and exhibitions showcasing the work of residents to the broader community and the creation of a community library and archive and the online archive of whitebuilding.org. Through this diverse range of initiatives, there was a desire to not only celebrate and document the living memory of this unique community, but to push back against government and property developers' interest in the site. The research documents how the dominant discursive acts of the more powerful can be challenged through the expression of the 'lived' and the elevation of everyday life. And that the very perception of the space and the sense of place was (re)produced through these interactions across these new and diverse mediascapes resulting in increased collective identification and action.