Multiple: Lake Modawarre, Geelong Botanic Gardens, Point Addis, Ocean Grove, Airey’s Inlet
Notes
Field Trip 2 the Future was a series of outdoor performances produced over five sites, in five months. Referencing the kind of nomadic wandering implied by the derive, each performance (Field Trip) exposed the geological, historical, and cultural sediment of the site with a distinct post-colonial, exploratory aesthetic. The aesthetic engendered kindness and care, revealing layers of consciousness between the performers, within the audience, and among the nuances of human nonhuman interplay, of how we interact, consider, respect and behave on this country.
Publication classification
JL4 Live Performance of Creative Works – Other
Scale
NTRO Medium
Extent
Performance, Site Activiations
Editor/Contributor(s)
Smith A, Bartier J, Gorringe-Smith K, Hallett V, Allinson L, Thompson P, Jarvis M, Demetriou H
Start date
2021-12-01
End date
2022-06-30
Research statement
Background
This research project engaged with the collective concerns of walking performance and intergenerational craft. Situated in sites of local geologic and natural importance, the inquiry sought to question notions of being and time through the lens of makers and performers, and at the intersections of their practice with each other, in collaboration with site, audience, and the natural environment.
Contribution
Five distinctive performances were produced across five sites, over five months. Referencing the kind of nomadic wandering implied by the derive, each performance (Field Trip) exposed the geological, historical, and cultural sediment of the site with a distinct post-colonial, exploratory aesthetic. The aesthetic engendered kindness and care, revealing layers of consciousness between the performers, within the audience, and among the nuances of human nonhuman interplay, of how we interact, consider, respect and behave on this country.
Significance
The research troubled assumptions about art and performance, critiqued human-centric practices of collaboration, and shaped energy and attention toward the performance arising from the geologic and the natural environment. Sky, wind, rain, dirt, bird, bugs, seaweed, trees, mosquitoes and more.The research generated unexpected, serendipitous interactions, fresh collaborations, activations of space/s, place/s and site/s, and a deep reach into what community might mean following the isolation and constraints brought on by COVID-19.