Deakin University
Browse

Venetian Bind Group 1

figure
posted on 2025-05-02, 05:57 authored by Simon GrennanSimon Grennan
Venetian Bind Group 1

History

Location

Palazzo Bembo

Start date

2024-05-09

End date

2024-11-22

Language

NA

Notes

Installation of sculptural objects (Salamander and the Blue man) and video

Research statement

Background This work is part of a larger collaborative project, Venetian Bind, devised by Melbourne academics, Cameron Bishop and David Cross. The curatorial design deployed small, ‘randomised’, cross-disciplinary teams working from separate creative briefs (or ‘binds’) under intensive time pressures. These key creative constraints generated opportunities for practice-led researchers to make socially engaged yet highly improvised art in situ. The project is influenced by Harney and Desideri’s notion of the “undercommons” in which artistic practice and research is reconceived as a way of being that is improvised, unplannable, collective, unregulated, and fugitive. Contribution Team#1 adopted an essentially absurdist approach to its curatorial premise as both an art-making strategy and a critical position. This position embraced the inherent paradox of visiting a site to respond to problems caused by over-visitation to that site. Hence Team#1’s response posed the fundamental question: how can visiting artists make a positive impact on social and environmental issues when they are also incriminated in those issues? Our thesis suggests that while art and art tourism is deeply implicated within Venice’s current challenges, it is also the reason why the world remains intensely invested in Venice’s preservation and future thriving. Significance This body of sculptural, sound, and video works were conceived and exhibited at the Palazzo Bembo in Venice Italy as part of the European Cultural Centre’s (ECC) Personal Structures exhibition program. As a collateral event of the 2024 Venice Biennale, the exhibition program was attended by approximately 553,000 visitors across the seven months of the Biennale. Additionally the exhibition received significant international media coverage (data from ECC). As the first of 6 teams selected, ours was critical in publicly launching Venetian Bind and providing a material presence for the official opening.

Extent

1 sculptural installation 1 video

Editor/Contributor(s)

DeLandre D, Elliot-Ryan H

Event

Ventetian Bind, Personal Structures Exhibition

Publisher

European Cultural Centre, Personal Structures Exhibition

Place of publication

Venice, Italy

Series

Venetian Bind

Usage metrics

    Research Publications

    Categories

    No categories selected

    Exports

    RefWorks
    BibTeX
    Ref. manager
    Endnote
    DataCite
    NLM
    DC