The work is iterative and with that its profile and critical reception built over time across prominent sites of protest in the City of Melbourne. The museum box played host to a different sound work with each iteration as a protest related to each site was activated by members of the public. As people were invited to step into the museum box, and onto a treadmill, the speed at which they walked dictated the pace and volume of the sounds from past protests. While people relived the events it coincided with actual protests: at Parliament House thousands of people (from all demographics) at the Invasion Day Rally engaged with the work; and again, at Trades Hall, a workers protest of hundreds finished at the site. The archival collided with the actual as new and old technologies were spliced to reveal the history of site, alongside the conceits of participatory culture, and ironically, participatory art.
Research statement
Background
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Contribution
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Significance
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Publication classification
JO1 Original Creative Works – Visual Art Work
Scale
NTRO Medium
Extent
2 x MP4 (one to be added with each iteration)
8 Jpegs including flyer/posters given out and put up at event, and posted on social media
NB: docs to be added as profile builds around each iteration
Recognition, awards & prizes
Recipient of competitive, peer reviewed, City of Melbourne arts grant