Erratum to: Dissolving views, memory and sensory experience: The Cosmopoligraphicon or the ‘World in Many Pictures’ in Melbourne, Australia, in 1855 (Early Popular Visual Culture, (2016), 14, 3, (268-270), 10.1080/17460654.2016.1204931)

© 2016 Informa UK Limited, trading as Taylor & Francis Group. The following parts were published in incorrectly: On page 267, the last sentence in the Abstract should be: This article further argues that dissolving views were more than a visual spectacle, they actively engaged the senses in ways that gave emotional meanings to the dissolving views and linked a Melbourne gold rush audience with the world left behind but in one’s memory and sensory imagination not too far away. On page 270, the last sentence of the second paragraph should be: Striking about the Cosmopoligraphicon commentary is how the dissolving views not only teased and cajoled the audiences’ immediate visual and aural senses but also evoked the other senses. I use the word evoked deliberately, because although the eye and the ear were the principle senses, one’s imagination perceived the other senses. The audience, in a darkened room, shut off from a bustling Melbourne thoroughfare, had both their sight and sound and, in turn, imagination engaged by the dissolving views. On page 278, the last sentence of the second paragraph should be: The dissolving views linked a Melbourne gold rush audience with the world left behind in one’s sensory imagination not too far away. Taylor & Francis apologises for this error.