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Lazarus rises: storying the self in the migrant fandom of David Bowie

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journal contribution
posted on 01.01.2016, 00:00 authored by Toija CinqueToija Cinque, Sean RedmondSean Redmond
In this article we focus upon the ways that “migrants” in Melbourne have used David Bowie to story and make sense of their arrival to Australia, often as refugees or as people looking for a better life. In relation to identity and belonging, some recent work on music fandom (Groene and Hettinger 2015; Lowe 2003), has imposed a meta-frame on the empirical method, substituting voices for a top-down analysis and interpretation. Our approach is to instead draw both upon auto-ethnography and to allow our fellow fans to “story” their own responses, in an attempt to get beneath the modes of feeling that music fandom ignites – situated within the narratives that people construct as they talk these stories. We argue that Bowie’s alternative and outsider status resonates keenly with people who find themselves “strangers” in a new land.

History

Journal

iaspm@journal

Volume

6

Issue

1

Pagination

7 - 24

Publisher

International Association for the Study of Popular Music

ISSN

2079-3871

Language

eng

Publication classification

C Journal article; C1 Refereed article in a scholarly journal

Copyright notice

2016, The Authors