Australia is forged by ongoing migration welcoming a range of cultures, languages and ethnicities, celebrating a diverse range of the Arts. In this multicultural society, music and dance may serve as a positive medium to transmit and promote social cohesion. I argue that the inclusion of innovative and immersive practice of African music in teaching units may foster understandings of culture in education settings. In this paper I discuss tertiary students’ experience in relation to the teaching and learning of African music within higher education courses. Drawing on interview data with six sessionals, questionnaire data, observation notes, anecdotal feedback and narrative reflection, I employ Interpretative Phenomenological Analysis to analyse and code the data into two broad themes. By offering a discussion on teaching and learning African music, I invite international dialogue in regards to how best we can prepare, assess and evaluate our students to improve the quality of Musical Arts Education.
History
Journal
Australian journal of music education
Volume
50
Pagination
98-109
Location
Adelaide, S.Aust.
ISSN
0004-9484
Language
eng
Publication classification
C1 Refereed article in a scholarly journal
Copyright notice
2016 Australian Society for Music Education Incorporated
Issue
2
Publisher
Australian Society for Music Education Incorporated