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The Walking Library Collections: the convivial logic of a library made for walking

journal contribution
posted on 2018-12-01, 00:00 authored by Misha MyersMisha Myers, Dee Heddon
The Walking Library is a library that carries books by foot. Inaugurated in 2012, it is an ongoing art project created by Dee Heddon and Misha Myers that aims to bring together people, walking, books, and reading. For each edition of The Walking Library a collection of books is gathered, taken on a walk and read with members of the public. While some have involved the creation of temporary collections, more permanent ones were curated for Sideways festival of peripatetic art, Belgium (2012), The Bothy Project (2014), Women Walking (2016) and most recently for Wild City | fiadh-bhaile (2018). The gifting of donations or suggestions for books, and their subsequent reading in site-responsive locations, gives shape to the walks that carry each collection and the performances that liberate words from their pages. The following overview of these collections considers how this personalisation and singularity of the gift is held within a larger relational formation of the collective response as a defining attribute of the compositional logic of The Walking Library. Each permanent Walking Library that we have curated has been donated by us, in turn, to the commissioning organisation or to an organisation likely to make good use of the library’s specific content, continuing its ongoing journeys and stories.

History

Journal

Interartive

Volume

100

Location

Spain

Start date

2012-09-02

End date

2019-01-15

ISSN

2013-679X

eISSN

2013-679X

Language

eng

Research statement

(Sample statement created by Michelle Watson) The Walking Library is a library that carries books by foot. Inaugurated in 2012, it is an ongoing art project created by Dee Heddon and Misha Myers that aims to bring together people, walking, books, and reading. For each edition of The Walking Library a collection of books is gathered, taken on a walk and read with members of the public. While some have involved the creation of temporary collections, more permanent ones were curated for Sideways festival of peripatetic art, Belgium (2012), The Bothy Project (2014), Women Walking (2016) and most recently for Wild City | fiadh-bhaile (2018). [1] Each book included in these editions of the Walking Library was selected on the basis of a personal suggestion made by the publicin response to a variation of the question ‘what book would you take for a walk?’ The question was refined and customised each time we asked it, ensuring a particular point of focus for the walk and stimulating a specific interaction between the group of people, books, and environment walked with and in. On the walks, participants were invited to choose a book from the library that they wanted to carry and read from at specific locations, which they also selected along the route. For example, on a walk with Walking Library for Women Walking, while we strolled beside the river Thames, we read from Rachel Carson’s The Sea Around Us. This in situ reading prompted in turn a discussion about where the sea started and ended and how far the sea was from where we stood. The gifting of donations or suggestions for books, and their subsequent reading in site-responsive locations, gives shape to the walks that carry each collection and the performances that liberate words from their pages. The collections consider how this personalisation and singularity of the gift is held within a larger relational formation of the collective response as a defining attribute of compositional logic of The Walking Library.

Publication classification

C3 Non-refereed articles in a professional journal

Extent

Comprises a recorded live performance and 2 journal articles.

Issue

100

Publisher

Interartive