A longing for home re-occurs across Tracy Ryan’s poetry yet remains unsatisfied. Focusing on the
relationship between the human and more-than-human, she instead illuminates place as shaped
by complex interrelations and movement. In demonstrating how place is a meeting place mediated
through multiple perspectives, Ryan offers an alternative to the way a relation to land has been
understood through the lens of patriarchal colonialism. This essay considers how Ryan connects
a personal genealogy to broader patterns of cultural displacement and begins to investigate the
potential of trans-corporeal feminism in light of migration and settler legacies. Beginning with an
analysis of homelessness in Ryan’s early work, the essay then turns to a more detailed analysis of
her 2015 collection, Hoard, as the point where she turns towards the possibilities of a situated transcorporeality.