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The waves carve their own desires: the affects and agencies of intramedial performance

journal contribution
posted on 01.01.2020, 00:00 authored by Misha MyersMisha Myers
How do the affective attributes that are specific to intermedial, interactive and located mediums of digitally-enabled performance materialise embodied, sensual and emotional involvements and reconfigure reality through new forms of intimacy, empathy and immediacy? This question is considered through a posthumanist account of performativity to consider alternative ways of conceiving of reality, ‘humanness’ and how space and time of performance are constituted, particularly through the bodily productions of and relationships between performer, audience, environment and technology in the transmedia performance for smartphone Nobody’s Ocean (2016).

History

Journal

Research in Drama Education: The Journal of Applied Theatre and Performance

Volume

25

Issue

3

Pagination

364 - 377

Publisher

Taylor & Francis

Location

London, Eng.

ISSN

1356-9783

eISSN

1470-112X

Language

eng

Publication classification

C1 Refereed article in a scholarly journal

Copyright notice

2020, Informa UK Limited