The ambiguous representation of spatial depth in Thornton Walker’s painting The Homage creates a peculiar sense in which the ‘whereness’ of depicted objects and atmosphere cannot be ascertained by, either perspectival convention or perceptual strategies. This visual-spatial ambiguity resonates with my interested in ‘broken’ stereography. Hence, ‘duoscopy’ refers to the limitations of binocular vision when the object of perception is itself duplicitous.
History
Publisher
Deakin University Art Gallery
Place of publication
Melbourne, Vic
Start date
2012-01-01
Material type
art original
Language
eng
Notes
Exhibited in the 'Face to Face' exhibition at the Deakin University Art Galleries in Burwood 25th July to 1st September 2012 and at Waterfront Campus 2nd October to 2nd November 2012 Face to Face Catalogue ISBN: 9780987295408Reproduced with the kind permission of the copyright owner.
Publication classification
JO4 Original creative work - Other; M Media article
Copyright notice
2012, The Creator
Extent
Mixed media installation; wood, wax, LED lights, electrical components; 50cm x 50cm