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Inclusive Dramaturgies - A Place called Maze

performance
posted on 2019-06-10, 00:00 authored by Magda Miranda
Inclusive Dramaturgies - A Place called Maze

History

Location

The Burrow

Start date

2019-06-10

End date

2019-06-12

Language

eng

Research statement

Building on earlier research (Dennis 2010, Dennis 2002), this investigation troubles assumptions about theatre making when engaging artists with learning disabilities. It investigates a sensory dramaturgy that optimises participation in the making of visually impactful theatre in which audience and performer are ‘emancipated’ to form their own meaning[1]. The creative practice research forged a methodology that intersected with the artistic practices of collaborators, director Magda Miranda, and co-creators (for full list of contributors see https://lamama.com.au/whats-on/explorations-2019/a-place-called-maze/). Over three years participants engaged in performance activities that resisted linguistically dominant practices informed by the research question: How does the dramaturge enable sensory meaning and foster reflexivity on who decides what meanings are valid and how that meaning is enacted in theatre practice with disabled participants? The result is a 55-minute live performance incorporating movement, sound, textiles and objects to foreground affective aesthetic meaning[2]. A pilot version of the work previewed at the Walker Street Gallery in Dandenong in 2017, after which further research included additional participants. Performed in LaMama Theatre’s Exploration Festival 2018 (delayed due to fire). See also http://www.fusiontheatre.com.au/a-place-called-maze.html The research is informing two forthcoming peer reviewed publications Non-linguistic meaning in actor training with neurodiverse young people (Intellect, forthcoming) and The Inclusive Drama Studio: (Routledge, for 2021). ________________________________________ [1] Rancière, Jacques. The Emancipated Spectator. Trans. Gregory Elliott. London: Verso, 2011 [2008]. [2] Johnson, Mark. The Aesthetics of Meaning and Thought. The Bodily Roots of Philosophy, Science, Morality, and Art, The University of Chicago Press: Chicago, 2018.

Publication classification

J2 Minor original creative work

Extent

Performance

Editor/Contributor(s)

Raphael J, Santucionne A, Dennis R, Mallis A, Koh M, Low R

Event

A Place Called Maze

Publisher

La Mama Theatre

Place of publication

Melbourne, Vic.