Redemptive Hybridism in Post-Postmodern Fiction

This thesis identifies Redemptive Hybridism in the literary modernisms continuum.  By examining for example, Woolf’s atomic saturation, Wallace’s spiritualised boredom, Hassan’s paracriticism, and Deleuze and Guattari‘s becoming, it frames a sample of the redemptively hybridising practice and theory that characterises the present post-postmodern moment and makes an exemplification in the work of ‘art-fiction’ that follows the exegesis.