Interactive dance performance : movement data and the 'materiality' of the system Vincs, Kim 2005, Interactive dance performance : movement data and the 'materiality' of the system, in WISP 2005 : Workshop on interactive systems in performance (WISP), HCSNet SummerFest, ARC Research Network in Human Communication Science, North Ryde, N.S.W.. Attached Files Name Description MIMEType Size Downloads Title Interactive dance performance : movement data and the 'materiality' of the system Author(s) Vincs, Kim Conference name Workshop on Interactive Systems in Performance (2005 : Macquarie University, Sydney) Conference location Macquarie University, Sydney Conference dates 15-17 December 2005 Title of proceedings WISP 2005 : Workshop on interactive systems in performance (WISP), HCSNet SummerFest Publication date 2005 Publisher ARC Research Network in Human Communication Science Place of publication North Ryde, N.S.W. Summary This paper describes a recent performance work I made using dance and live feed video processing, 1 + x: mid-range projections, commissioned by the Seoul Contemporary Dance Company and first performed in Melbourne in July 2005. This work forms a basis for discussing my interest in creating performance images that reveal 'interiority'. I am interested in how you embed the 'feel' of the human systematically in an interactive structure, and how that process can produce a poetic that arises from the detailed and nuanced play between real and virtual images on the same screen. How do you abstract and play with a performer's movement, play with it in real and virtual time, so that it gives the work an emotional charge? Its like playing with the process of 'becoming virtual' - and I'm being deliberately Deleuzian about that - how do you 'become virtual' in the sense of melding performer and image so that the meaning exists between - in the connection between the two? This quest to get the energy, the 'lived', 'felt' quality of the movement into the imagery gives rise to research questions about how 'presence' is perceived in movement. What elements of the raw movement data do you need to keep and what can you throwaway, and still keep the personality, the emotion, the 'life' of that movement? How do you make a virtual, interactive performance system that has its own 'materiality'? ISBN 1741081211 9781741081213 Language eng Field of Research 190299 Film, Television and Digital Media not elsewhere classified HERDC Research category E3 Extract of paper Persistent URL http://hdl.handle.net/10536/DRO/DU:30014518 Document type: Conference Paper Collections: Faculty of Arts and Education School of Communication and Creative Arts Higher Education Research Group Related Links Link Description Connect to published version (restricted access) Go to link with your DU access privileges     Unless expressly stated otherwise, the copyright for items in DRO is owned by the author, with all rights reserved. Versions Version Filter Type Tue, 21 Oct 2008, 14:23:45 EST Tue, 02 Jun 2009, 09:49:58 EST Mon, 05 Jul 2010, 09:56:05 EST Mon, 05 Jul 2010, 09:58:12 EST Mon, 05 Jul 2010, 10:57:21 EST Fri, 17 Sep 2010, 09:37:15 EST Mon, 18 Oct 2010, 08:28:55 EST Mon, 18 Oct 2010, 08:30:05 EST Mon, 18 Oct 2010, 08:30:50 EST Mon, 18 Oct 2010, 08:31:38 EST Mon, 18 Oct 2010, 08:32:24 EST Fri, 17 Oct 2014, 09:21:17 EST Filtered Full Citation counts:   Cited 0 times in TR Web of Science Cited 0 times in Scopus Search Google Scholar Access Statistics: 474 Abstract Views, 3 File Downloads  -  Detailed Statistics Created: Tue, 21 Oct 2008, 14:23:45 EST