As a tentative beginning to locating a particularly local Australian brand of a post-colonial materialist (formalist) cinema this paper contextualises the recycling and re-samplings of mainstream industrial cinema that I have recently undertaken. I aim to place this practice within emerging discourses of hybridity, crossing-borders and a Global Cinema. This research speaks to my earliest experiences of migration into Australia, of becoming Australian, unfolding in my 50s childhood and enunciates the pressures my parents’ migration placed on them. The focus of this work articulates the somewhat emptied and gutted voice of the New Australian, a 50s term for the assimilated migrant (CAB 1948) of which the Dutch were considered exemplar performers, good white New Australians, who neatly left their Dutch identity at the door but who never-the-less witnessed the ambiguities of the ideologies they implicitly embraced.
Notes
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Language
eng
Field of Research
200208 Migrant Cultural Studies 190203 Electronic Media Art
Socio Economic Objective
940111 Ethnicity, Multiculturalism and Migrant Development and Welfare
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Every reasonable effort has been made to ensure that permission has been obtained for items included in DRO.
If you believe that your rights have been infringed by this repository, please contact drosupport@deakin.edu.au.
Every reasonable effort has been made to ensure that permission has been obtained for items included in DRO. If you believe that your rights have been infringed by this repository, please contact drosupport@deakin.edu.au.
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