In response to Stuart Hall's Kilburn Manifesto where Hall considers celebrity culture as one of the inhibitors in forming a new political collective and agency, this article explores what it labels as a politics of recognition and a recognition culture and the different ways the current generation of the technologies of the social produce different formations of collectives.
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Every reasonable effort has been made to ensure that permission has been obtained for items included in DRO. If you believe that your rights have been infringed by this repository, please contact drosupport@deakin.edu.au.