This essay is concerned with how poetry—reading it, writing it, and adapting it—relies on a dialectic between knowing and not knowing, a flickering movement between understanding and ignorance that is central to the production of poetry and its effects. To illustrate this, I discuss my poem, ‘This Voice’, and its subsequent adaptation into what I call a ‘poetry soundtrack’, a form of digital audio poetry employing poetry, music, and sound design. The essay illustrates the centrality of the knowing/not-knowing dialectic to poetry by considering the following with regard to my works: the thematics of nescience; the liminal and virtual space of interpretation and play (the latter as theorised by D.W. Winnicott); ‘nocturnal poetics’; and sampling (both sonic and lexical).
Language
eng
Field of Research
190302 Professional Writing 200502 Australian Literature (excl Aboriginal and Torres Strait Islander Literature)
Socio Economic Objective
970119 Expanding Knowledge through Studies of the Creative Arts and Writing
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orcid.org/0000-0001-8122-4863
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