This thesis identifies Redemptive Hybridism in the literary modernisms continuum. By examining for example, Woolf’s atomic saturation, Wallace’s spiritualised boredom, Hassan’s paracriticism, and Deleuze and Guattari‘s becoming, it frames a sample of the redemptively hybridising practice and theory that characterises the present post-postmodern moment and makes an exemplification in the work of ‘art-fiction’ that follows the exegesis.
Every reasonable effort has been made to ensure that permission has been obtained for items included in DRO. If you believe that your rights have been infringed by this repository, please contact drosupport@deakin.edu.au.