THE BEAUTY OF THE FRAGMENT RECONSTITUTED IN THE GREAT WALL
De Bruyn, Dirk 2021, THE BEAUTY OF THE FRAGMENT RECONSTITUTED IN THE GREAT WALL, International Journal of Film and Media Arts, vol. 6, no. 2, pp. 42-62, doi: 10.24140/IJFMA.V6.N2.03.
Attached Files
Name
Description
MIMEType
Size
Downloads
Title
THE BEAUTY OF THE FRAGMENT RECONSTITUTED IN THE GREAT WALL
Max Hattler’s short abstract animations demonstrate an awareness of the form’s historic 1920’s European Abstract Animation precedents, is informed by the structurally focused minimalism of the 60’s and re-tools pre-cinema toys. Yet his work speaks to the contemporary technological environment he occupies and experiences directly. His move to Hong Kong and his recent Serial Parallels is also a predictive probe into future media environments. Hattler’s digital architectures are designed to make sense of the technological situation of speed and information overload which Vilem Flusser marks as amnesic and Marshall McLuhan identifies as an acoustic space readable through pattern recognition. His practice makes productive use of the flexible and modular qualities of contemporary digital image-making technologies for both production and publication purposes.
Unless expressly stated otherwise, the copyright for items in DRO is owned by the author, with all rights reserved.
Every reasonable effort has been made to ensure that permission has been obtained for items included in DRO.
If you believe that your rights have been infringed by this repository, please contact drosupport@deakin.edu.au.
Every reasonable effort has been made to ensure that permission has been obtained for items included in DRO. If you believe that your rights have been infringed by this repository, please contact drosupport@deakin.edu.au.